Vague corporeality of space // 2

Risking to spoil the negatives, the author took photos of this project at the limit of the technical capabilities of the film. On an almost overexposed RedScale film, objects appear as shaky contours, rather imagined by the viewer than recognizable. These photos are almost monochrome. Thus the viewer relying on associations with certain images can see the world of infinite possibilities. The visible world appears right in the mind of the viewer. These photos invite to think about the process of our perceiving of reality and about our limits to create the world in which we live. Analog techniques of shooting and film processing were used in the work on these photographs.